In this article will let’s you know how to choice the best cameras for bird photography
Few experiences ignite passion in a birder more than a first-time encounter with a new species or the discovery of a previously seen bird in a new or unexpected location. The thrill of these spontaneous sightings, and the anticipation of the next one, are primary drivers in the perpetual quest to see, hear, and learn more about our feathered friends.
Everyone from the newest arrivals to the birding ranks to those with years of experience pursuing and studying birds shares a common gift – treasured personal memories of magical moments in the woods and meadows when we come face-to-face with nature’s winged wonders.
And we birders recognize that technology – our binoculars, spotting scopes, and cameras – play a critical role in enhancing our field experience. What’s more, when digital photography became the norm 15 years ago, the playing field was leveled flat to reveal a wide gateway, inviting one and all to join the party.
Today’s photo-gear marketplace offers myriad options to consider when it’s time to take the step from simply observing and recording birds to photographing them. Not only do cameras and lenses preserve the memories, enabling us to share with family, friends, and online audiences, but they also open the possibility of publication — that area once reserved for the pros.
The first step into the avian-photography universe is to consider the camera body and lens options that will work best for capturing the most outstanding possible images in your specific area of interest. Whether it’s the drama of birds in flight or birds perched in iconic locations, the gear you decide upon will make a difference in the final results.
An 800mm super telephoto lens may be just the ticket to bring home stunning photos of an Atlantic Puffin bobbing in the ocean off a distant island’s rocky outcrop. But you’ll find the same combo is massive over-reach if you grab the rig for a quick shot of a goldfinch munching on the seeds of a sunflower just off the patio in your garden. The old adage of having the right tool for the task at hand is never truer than in bird photography.
Decide what you want
No rule is hard and fast, and no gear combination can possibly cover all photographic bases and be capable of delivering the goods on every occasion, at all times. However, by thoughtful analysis of your most-favored areas of interest and deciding upon your reasonable expectations, you can put together a kit that will fulfill your mission and deliver quality images to fuel a lifetime of memories.
As is the case with most sectors in the tech world, camera manufacturers are in keen competition to dominate the marketplace with their product innovations. The mirrorless movement is the latest arena of competitive jousting for bragging rights to the smallest, lightest, quietest cameras.
To be sure, the digital ink is often barely dry on online ads for the latest innovative products from one maker before a competitor jumps into the breach with claims of a camera that pushes back at the marketing boundaries.
There’s a cautionary lesson to embrace from all of this — and that’s to pay a visit to your local camera retailer for quality personal time with the camera and lenses that appeal to you, to guarantee that the marketing message is in sync with your personal needs, immediate and future, as well as your skill level. While you are in the store, it’s worthwhile to compare the latest cameras with the nearly new gear on the dealer’s “used” shelves. The quality-performance-value equation often tips in favor of last year’s model, at significant savings.
Once you decide to plunge into the buying fest, it’s prudent to pause a moment to nail down exactly how you envision using the new kit. Is it for birds in flight, bird portraits on branches, large raptors or tiny songbirds, birds nearby or birds afar? Some pairings of camera bodies and lenses work well across the spectrum, though at times with varying compromises.
In general, a huge swath of cameras and lenses will deliver the image quality and variety you desire. But placing the hardware in hand is no guarantee of optimal results — we as photographers must always accept and nurture our roles as the most crucial component in the creative process.
Here are four viable combinations of gear, valid across all brands and, in most cases, modern-era vintages.
- For a birder with little or no photography experience other than smartphone snapshots, the perfect choice with which to extend your birding activities into memory-gathering mode would be one of the “bridge” cameras — models with integrated body-lens designs. Popular versions include the Canon Powershot SX70 HS, Panasonic Lumix FZ2500, the Nikon Coolpix P1000 or P900, or the Sony Cyber-shot RX10 IV. The automated features and robust zoom capabilities make bridge cameras quite capable for avian portraits, and they are an ideal stepping stone into the more advanced and challenging birds-in-flight realm.
- People with some photo experience who are new to bird photography may benefit from a DX crop sensor body, coupled with a zoom lens with a proven track record. One example is the Nikon D500 with the Nikon NIKKOR 200-500mm zoom. I have used this pairing and can confirm from personal experience, and from chatting with others in the field, that the rave reviews are justified. Plus, the DX-format bodies add the advantage of “reach,” due to the smaller dimensions of the crop sensor. They also have the advantage of lighter weight, adding portability to the equation. Other worthy setups in this class are the new Fujifilm X-T30 and Canon’s EOS 7D Mark II. Both have APS-C sensors in the same dimensions as Nikon’s DX format. Similarly, any of the Nikon D7200-7500 series bodies are birding workhorses.
- Then there’s the full frame pro or serious enthusiast DSLR body with a Canon or Nikon 400mm, 500mm, 600mm, or even an 800mm prime lens. This grouping covers just about every bird-photography situation, from birds at rest to the most challenging erratically flying raptors. Both DSLR and mirrorless full-frames should be considered. The super-telephoto lenses are nature photography’s gold standard gear configuration; the image quality results, as long as the proper techniques are applied, are guaranteed to exceed even the most discriminating photo artist’s highest expectations. The downside is that they are big and a heavy lift, both physically and financially.
- Nipping hard at the image-quality heels of the “big guns” are some of the latest mirrorless body and lens offerings in the Micro Four Thirds format. Leading the way in both portability and uncompromising professional capabilities is the new Olympus OMD E-M1X, a lightweight yet powerful camera with a Micro Four Thirds sensor. Joined with the Olympus M.Zuiko 300mm f/4.0 lens, it gives equivalent 600mm reach in a trail-friendly weight. Others worthy of consideration are the full line of Panasonic Lumix bodies, with the GH5 leading the way with robust auto-focus tracking.
The unrelenting expansion of interest in nature photography, with bird imaging at the top of the movement, has spawned a new class of photo enthusiast whose objective is frame-worthy images that don’t require lugging a massive tripod, with its pro-body DSLR and heavy super-telephoto lens. That’s where the telephoto zoom lenses shine.
Here are some zoom tele and super-telephoto lenses that are worthy of inclusion in any serious bird photographer’s kit: Nikon’s ground-breaking NIKKOR 500mm PF, the Nikon NIKKOR 200-500mm, Sigma’s 150-600mm Contemporary, the Tamron SP 150-600mm, Fujifilm’s XF100-400mm, and Canon’s time-proven 100-400mm. Combine Sony’s 100-400mm zoom tele with Sony’s A7R III body for a can’t-miss birding action rig.
The decision to up one’s photographic game marks a significant commitment, one bursting with excitement and anticipation of coming adventures in the great outdoors. Truth be told, with the boundless level of technological innovation being packed across the board into today’s camera bodies, lenses, and accessories, it’s nearly impossible to make a bad choice when selecting your go-to system. All the big-name manufacturers present quality equipment to consider — and ultimately purchase.
With the relentless pace of research and development and new product roll-outs, the savvy photographer never fails to look with care at the secondary market, where nearly new “used” gear can be found with quality, and major cash savings.
Suggested cameras for bird photography
Click on the buttons below for a roundup of bridge, DSLR, and mirrorless cameras that we recommend for bird photographers, based on the principles outlined above. While not a definitive list, these models are excellent options from their respective makers. When selecting a camera, also consider the telephoto lenses and teleconverters available for the models you’re evaluating.
Canon Powershot SX70 HS
Bridge cameras, more accurately described as “superzoom” cameras, look like SLRs but feature fixed, long zoom lenses. The latest Canon Powershot model, released last October, has a 65x zoom and a better higher-resolution image sensor than its predecessor. The electronic viewfinder, in particular, is comparable to those of higher-end cameras. As the least expensive camera in this roundup, it’s a good option for bird photography when the subject stands still or is moving side to side but isn’t a great choice for action shots.
Nikon Coolpix P1000
The P1000 is the latest in Nikon’s long-running Coolpix series. Introduced in September 2018, it features an incredible 125x optical zoom, which provides a 35mm-equivalent focal range from 24mm to 3,000mm. Outdoor Photographer named the P1000 the “best new compact camera” of 2018. The camera weighs just over 3 pounds and is bulky, so it’s not for everyone, and it takes some practice to use well. But its ability to create images of distant wildlife means it’s worth considering.
Sony Cyber-shot RX10 IV
This premium bridge camera is among the best in its class. Its 1-inch image sensor has phase-detection focus, allowing it to shoot at up to 24 frames per second. The 25x optical zoom gives it a 600mm reach, allowing users to get quite close to birds or other subjects at a distance. The 3-inch LCD features touch support, letting you tap the screen to set a focus point. Plus, the RX10 IV weighs only 2.4 pounds and is comfortable to carry in the hand, making it an ideal choice for a long day of birding.
Canon EOS 7D Mark II
Few cameras in the history of digital photography have withstood the evolutionary pressure of market dynamics as has Canon’s 7D Mark II. It came on the scene in the fall of 2014, at first blush eons ago in digital R&D time. But don’t be fooled. Right up to this minute, the camera remains a favorite among bird photographers, and with good reason. It’s a beast under the hood, with dual DIGIC processors delivering continuous shooting of more than 1,000 JPEG images and 31 RAW photos. Its reliable phase detection AF system offers assurance that the photographer can chase with confidence those images of erratically flying birds.
Canon EOS-1D X Mark II
Canon’s flagship professional camera, released in 2016. For continuous shooting of a moving bird, for example, it can capture 14 frames per second with full AF/AE tracking or 16 fps in Live View mode. The 20.2 megapixel full-frame CMOS sensor and dual DIGIC 6+ image processors produce images with incredible detail. The camera also boasts excellent dynamic range and reduced color noise. Pair it with a telephoto or zoom lens and you’ll have the tools to shoot bird photos with the best of them.
This is the flagship body in Nikon’s DX format. It brings all the right tools to the challenging birds-in-flight task — exceptional auto-focus tracking and a blazing 10 frames-per-second shutter speed. Image quality is outstanding. The foundation of the quick AF tracking system is the 153-point AF module’s nearly edge-to-edge coverage. It grabs and locks on moving targets, giving photographers the confidence to wait for that perfect moment before engaging the shutter. With three years on the market, the D500 has cemented its outstanding reputation. Strap on Nikon’s versatile 200-500mm zoom lens and walk confidently to your favorite birding destination.
While the coveted shutter speed specs don’t quite rival that of Nikon’s D500, the D850’s 7 frames per second (9 FPS with the pricey battery grip) still delivers reliable, competent performance. But it’s the D850’s massive 45.7-megapixel RAW file size that drives interest. And it’s justified, as the extreme resolution afforded by the huge re-designed light-soaking sensor gives the photographer the ability to reveal unprecedented image detail from small, distant segments of the photo. It’s no longer a given that the faraway bird looming small in the frame makes the image a throwaway.
While not quite in the performance league as the D500, the D7500 offers a competent feature set that makes it worthy of consideration for those wanting to graduate from consumer- level cameras. In many ways, it’s an ideal next-step creative vehicle. The camera is the first in Nikon’s D7000 line to be powered by the new Expeed five-image processor. It has a good 51-point autofocus system that feeds into an extended buffer to expand continuous shooting capacity. The beefier buffer comes in handy when ripping a multi-frame burst of a bird in action. Excellent ergonomics and the comprehensive weather seal offer protection in harsher elements.
Fujifilm’s latest upgrade to its X-T series cameras is bound to get the attention of aspiring nature photographers. Couple the new body with Fuji’s XF 100-400mm telephoto zoom for a high-performing and versatile avian photography rig. The camera’s fourth-generation sensor and image processor feature a 30 frames-per-second capture engine with phase-detection autofocusing. The body is positioned as a smaller, lighter, and more-affordable rendition of the line’s T-3 flagship. Indeed, Fujifilm asserts that the X-T30 delivers the same image quality and processor performance as the T-3. Add in the fact that the AF performance is rated at 1.5 times faster than previous models, and you have all the trappings for a robust and reliable birding rig.
Olympus OMD E-M1X
The E-M1X is a professional-level body in the Micro Four Thirds world that rivals the top contenders across all formats in most every way. From the 15 frames-per-second mechanical shutter burst to a 60 frames-per-second electronic shutter capture rate, the M1X effectively guarantees that any lens aimed at a speeding raptor will return the picture to tell the story. To be sure, the M1X’s twin quad-core processors deliver the goods on time, every time. And the in-camera five-axis stabilization system is the perfect foil for camera shake. Combined contrast and phase detection autofocus mean locked-on targets and keeper images of erratic fliers. The Pro Capture Mode, which records a continuous 35-frame loop in the background while the shutter release button is pressed half-way, saves the most recent 35 frames at the instant the shutter is engaged. With Pro Capture, the days of missing that iconic shot of a perch-leaping raptor, are over, as the camera retains action images in the instant before the photographer reacts to the jumping bird. In short, it’s fair to say that for now, the M1X is the industry R&D pace-setter that meets, and in many cases exceeds, the performance of larger-sensor bodies but in a smaller, lighter package.
Sony a7 III
Fans of Sony cameras who don’t want to spend $3,500 on the high-end flagship Sony a9 should consider the a7 III, which was released in April 2018, and sells for about $2,000. This full-frame mirrorless model features a 24-megapixel BSI CMOS sensor and 693 phase detection AF points, and it shoots 10 frames per second. The camera’s performance also holds up well compared to larger DSLRs, and since it weighs about 1.7 pounds, it’s ideal for birdwatchers and nature photographers.
The autofocus system in the Sony a9, the brand’s flagship in its full-frame mirrorless line, employs 693 AF points covering approximately 93 percent of the image area and can make up to 60 focus and exposure calculations per second. “In use, it’s incredibly fast and precise, and with no shutter blackout and vibration when using the camera’s electronic shutter, the a9 overcomes key disadvantages of mirror-based systems,”
Source from: William Jobes & https://www.birdwatchingdaily.com/
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